It has arrived! All That Stands Between Us is live and out in the world, and I’ll be honest, I’m a little bit at loose ends about it. I’m so excited. And I’m ridiculously nervous. And there’s even a healthy dose of fear thrown in there.
If I’m lucky, all of those emotions will meld into a collective “yay!” sort of feeling in the next few days. Until then, I’ll just hold myself together with tape and glue and hope it sticks.Continue reading
All right, my friends. I’ve decided to go ahead and give you a little sneak peek inside my newest book. And by sneak peek, I mean THE ENTIRE FIRST CHAPTER.
Also, this is my very own, very professional (coughnotatallcough) “illustrated” version. (Visual aids! Hooray!)
I hope you enjoy!Continue reading
Well, my friends,
My idiocy is your good fortune.
I had it in my head that Thanksgiving was November 21st, when it’s actually November 28th.
And I SO wanted to release All That Stands Between Us BEFORE Thanksgiving, that when my wonderful editor told me she’d be able to get my final proofread finished in time, I jumped onto Amazon KDP this morning and set my release date for “the day before Thanksgiving,” November 20th.Continue reading
It’s been more than a year since All Our Broken Pieces was published. That extra time has been weighing on me, making me anxious to release this next book, and yet needing to be sure that what I produce is quality. I desperately hope that is what I’ve created for you all with this story.
So, without further ado…Continue reading
I’m hosting my first Giveaway for another author! In support of my sister, editor, and now first time author, Jana, we’re offering a chance to win a $25 Amazon gift card. So, go check out her website and social media and give her some follows. Jana is a great writer and has crafted a fun YA adventure (no romance) suitable for all ages.Continue reading
This deleted scene is from All Our Broken Pieces. This is how I originally wrote the scene that comes right after Ginny and Alex fight, she asks him to leave, and then trashes her room. I’ll let y’all read it first and then I’ll talk about the problems with it.
God Grant Me Serenity
I fell asleep without a blanket, with my arms banded around myself, curled into a fetal position.
It was nearly midnight when my phone rang. I fumbled to find it in the chaos and saw “Alex” as the caller. A breath hissed through my teeth and I checked myself, weighing my emotional state to determine if I could handle a conversation with him. Then I answered. I was still upset and confused, but if Alex was willing to reach out after what I’d put him through, then I couldn’t ignore it.
“Can you meet me?” His voice was strained and I sat up straight, instantly on alert.
“Of course. What’s wrong?”
“I’m standing outside a liquor store and I need a reason not to go in.”
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1. Overuse of exclamation points!!!!!!!
This one grates on my nerves. I am of the opinion that unless a character is actually shouting, there’s no need for exclamation points.
2. Redundant physical description of characters, especially when expounding on their “hotness.”
An author can mention that adorable dimple maybe twice before I start to roll my eyes. Attraction is good. Romantic tension is good. But I really want these character to be attracted to each other for reasons OTHER THAN their physical attributes.
3. When internal thoughts interrupt a conversation for so long that I lose track of the conversation.
If characters are truly in the middle of a conversation, there’s only so much free space they have in their brain. You can’t have a three-page inner dialogue and expect us to believe that all happened in the two seconds it took you to answer a question.
4. When an entire plot is centered on a misunderstanding that a five minute conversation could solve.
I’ll buy into a misunderstanding for MAYBE a fourth of a book, then I’m just screaming in my head, “HAVE THE CONVERSATION!” This is especially problematic in books where you have both points of view and thus the reader KNOWS that there is no good reason for this conflict to go on other than stubbornness.
5. Unnecessary dual POV, especially when it repeats the same scene but from the other person’s perspective.
Multiple points of view can absolutely be done right. But when they’re not…
I wrote an entire blog post dedicated to this subject, in case you care.
6. When the heroine and her best friend are the only reasonable women in the book and all others are cliche mean girls, vapid, or self centered.
Not every popular girl is mean. Not every ex-girlfriend of your love interest is a witch. Your main character should not be the only down-to-earth, thoughtful girl around. That’s insulting.
7. Unhealthy relationships made out to look like swoon-worthy romantic relationships.
I’m lookin’ at you, Twilight. There’s a lot I still love about those books, but Edward removing Bella’s car battery to prevent her from doing something that she wants to do is WAY not okay. Also, him watching her sleep without her knowing…
8. When the story is too big or too small for the book length.
I don’t need to read about a character’s every day activities. I get that they live a normal life a lot of the time. Please skip that part and just tell me the interesting stuff.
And when you are telling the interesting stuff, don’t go too fast! Interesting action happens because of complicated situation that you should explain so that we can all ride the adventure along with the characters in full support of what they’re doing.
9. When a character has too-stupid-to-live syndrome.
There’s this scene in the first season of 24 where the main guy rescues his wife and daughter and they’re waiting for a helicopter to pick them up. They’re crouched behind something and the daughter wants to go out into the open. Dad says no, it’s dangerous. Daughter (who has spent the last 12 hours being held captive) thinks he’s being dumb and goes out into the open anyway.
Really? Really, what’s-your-face? You’ve been terrorized by bad guys for the last however many hours and you don’t think this situation warrants just a smidge of caution??
10. When a hero and heroine fight and fight and fight, then kiss, then fight and fight and fight, and then supposedly live happily ever after.
I’m guessing this opinion is less universal than a lot of the others, but I just can’t get on board with a couple who agree to love each other even while it seems they can’t stand each other. That’s probably because I’m allergic to contention and I can’t handle it and it makes me cry when I encounter it in real life.
It’s just not my cup of tea.
So there you go. A random list, in no particular order, of the things that turn me off when I’m reading. What do you think? Agree? Disagree? What are your pet peeves?
This deleted scene from If I Could Stay was written before I decided to have Leila leave her money and IDs in the trunk of her car. Instead, I simply had her lose them while she was with Jack, but she didn’t realize it until after he’d dropped her off at the bus station. She had to track him down to get it back.
It took me a while to track down the police station, but once I got reliable directions, which involved a surprising number of tree street names, it wasn’t hard to find. It was on Chestnut street, just past Pamela’s Hair Styling. I walked along the sidewalk and studied the parking lot, but Jack’s truck wasn’t there. He likely wasn’t on shift yet, since he had been driving in the early hours of the morning…